Ketoprak story of Sultan Agung Tani as a cultural means of resolving inter-subethnic conflicts in coastal and inland Java
Downloads
The story of Sultan Agung Tani becomes a means of resolving cultural conflicts in Java between inland and coastal subcultures. In Java, the legacy of cultural conflict has never been completely resolved until now due to the impact of the legacy of colonialism that has persisted since the arrival of the VOC in the 17th century. This story was chosen because it depicts the conflict and resolution between two Javanese subethnic groups who have significant differences in culture, values and geographical background. The hermeneutic reading method with a postcolonial approach is used to analyze the story of Sultan Agung Tani which is recorded in audio and video format. The results of this research show that the pattern of conflict resolution between Javanese sub-ethnic groups through stories of Ketoprak performances is able to influence people's cultural mindset. Ketoprak stories that narrate the resolution of Javanese inter-subethnic conflicts, which are staged by Ketoprak groups in coastal areas, especially Pati Regency in Central Java and its surroundings, have a positive social impact on coastal communities who are depicted as inferior by narrative text stories from the interior in babad stories. Through the stories presented, the potential to provide a cultural model of conflict resolution contributes to a conflict resolution formula with dramatic steps provided to become a dish that is enjoyed. This research provides in-depth insight into how the traditional performing art of Ketoprak can act as an important tool in mediating conflict and promoting inter-subethnic reconciliation in Indonesia.
Ardani, I. G. A. ., Willyanti, I., & Narmada, I. B. (2018). Correlation between vertical components and skeletal class II malocclusion in ethnic Javanese. Clinical, Cosmetic and Investigational Dentistry, Volume 10, 297–302. https://doi.org/10.2147/CCIDE.S188414
Aritonang, J. S. (2000). Christiannity In Javanese Culture and Sosiety Book Title : A History of Christianity in Indonesia. Brill. https://doi.org/103.181.255.10
Atanasova, K. (2023). Writing about the Mawlid al-SharÄ«f in Eighth/Fourteenth-Century Maghrib: A Sufi-Legal Discourse. Journal of Sufi Studies, 12(1), 83–116. https://doi.org/10.1163/22105956-bja10027
Attribution-noncommercial-noderivatives, C. C., License, I., By-nc-nd, C. C., & War, G. (1918). The Netherlands Indies and the Great War "Indiers." Brill, 1914–1918. https://doi.org/103.172.71.13
Bajpai, K. (2001). Crisis and Conflict in South Asia After September 11, 2001. Sage Publications, 55(2), 140.
Balcare, K. (2022). ECOTHEATRE: CHANGING PERSPECTIVE FROM WHO WE ARE TOWARDS WHERE WE ARE. Culture Crossroads, 21, 56–65. https://doi.org/10.55877/cc.vol21.271
Baldin, A., & Bille, T. (2023). The avant-garde consumers: A new perspective on quality evaluations of performing arts. Poetics, 97(March), 101771. https://doi.org/10.1016/j.poetic.2023.101771
Belcourt, B.-R. (2014). Animal Bodies, Colonial Subjects: (Re)Locating Animality in Decolonial Thought. Societies, 5(1), 1–11. https://doi.org/10.3390/soc5010001
Bhattacharya, S. (2023). "Postcolonial Disaster": Purdah, Precarity, and Hunger in Abu Ishaque's Surja Dighal Bari (The Ominous House). South Asian Review, 44(1), 28–36. https://doi.org/10.1080/02759527.2022.2156171
Bulhan, H. A. (2015). Stages of Colonialism in Africa: From Occupation of Land to Occupation of Being. Journal of Social and Political Psychology, 3(1), 239–256. https://doi.org/10.5964/jspp.v3i1.143
Bí¼ster, L. (2021). Iron Age Mnemonics: A Biographical Approach to Dwelling in Later Prehistoric Britain. Cambridge Archaeological Journal, 31(4), 661–674. https://doi.org/10.1017/S0959774321000263
Butler"Warke, A., & Warke, M. R. (2021). Foundation stone of empire: The role of Portland stone in "˜heritage', commemoration, and identity. Transactions of the Institute of British Geographers, 46(4), 958–972. https://doi.org/10.1111/tran.12462
Caputo, A., Ayoko, O. B., Amoo, N., & Menke, C. (2019). The relationship between cultural values, cultural intelligence and negotiation styles. Journal of Business Research, 99(September 2018), 23–36. https://doi.org/10.1016/j.jbusres.2019.02.011
Carey, P. (2007). The Power of Prophecy: Prince Dipanagara and the End of an Old Order in Java, 1785-1855. Brill, 1785–1855.
Cheng, L., & McGregor, I. (2023a). Practices and Educational Affordances of Sound in the Postcolonial Hong Kong Protests. Contemporary Music Review, 0(0), 1–15. https://doi.org/10.1080/07494467.2023.2241236
Cheng, L., & McGregor, I. (2023b). Practices and Educational Affordances of Sound in the Postcolonial Hong Kong Protests. Contemporary Music Review, 0(0), 1–15. https://doi.org/10.1080/07494467.2023.2241236
Chung, F. M. Y. (2021). Developing Audiences Through Outreach and Education in the Major Performing Arts Institutions of Hong Kong: Towards a Conceptual Framework. Fudan Journal of the Humanities and Social Sciences, 14(3), 345–366. https://doi.org/10.1007/s40647-021-00326-6
Collins, A., Rentschler, R., Williams, K., & Azmat, F. (2022). Exploring barriers to social inclusion for disabled people: perspectives from the performing arts. Journal of Management & Organization, 28(2), 308–328. https://doi.org/10.1017/jmo.2021.48
Collyer, M., & Shahani, U. (2023). Offshoring Refugees: Colonial Echoes of the UK-Rwanda Migration and Economic Development Partnership. Social Sciences, 12(8), 451. https://doi.org/10.3390/socsci12080451
Crook, M., Short, D., & South, N. (2018). Ecocide, genocide, capitalism and colonialism: Consequences for indigenous peoples and glocal ecosystems environments. Theoretical Criminology, 22(3), 298–317. https://doi.org/10.1177/1362480618787176
Dar, S., & Masood, A. (2023). Colonialism Otherwise and the Poetics of Solidarity: A Methodological Intervention De"b/ordering Kashmir. Antipode, 55(4), 1152–1171. https://doi.org/10.1111/anti.12916
de Zwart, P. (2021). Globalisation, Inequality and Institutions in West Sumatra and West Java, 1800–1940. Journal of Contemporary Asia, 51(4), 564–590. https://doi.org/10.1080/00472336.2020.1765189
Della Spina, L. (2023). A Prefeasibility Study for the Adaptive Reuse of Cultural Historical Landscapes as Drivers and Enablers of Sustainable Development. Sustainability (Switzerland), 15(15). https://doi.org/10.3390/su151512019
Drewes, A. G. W. J. (1966). The Struggle Between Javanism and Islam as Illustrated by the Serat Darmogandul. 309–365.
Drieí«nhuizen, C., & Sysling, F. (2021). Java Man and the Politics of Natural History. Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia, 177(2–3), 290–311. https://doi.org/10.1163/22134379-bja10012
Egwu, A. U., Igwebuike, E. E., & Abonyi, C. (2021). Deployment of Rhetorical and Literary Tropes in Ewa-á»ma Festival Performances of Nkporo, South-East Nigeria. SAGE Open, 11(2). https://doi.org/10.1177/21582440211023160
Elika, N., & Nurhayati, N. (2022). The Communication Pattern of Wahyu Turonggo Aji Reog Dance in Merti Dusun Kemawi Sumowono as a means of Preserving Environment. E3S Web of Conferences, 359. https://doi.org/10.1051/e3sconf/202235903029
Fernandes, C. (2023). Intellectual Legacies, Political Morality, and Disillusionment: Connections Between Two Mozambique Research Institutions, 1976–2017. The Journal of African History, 64(1), 112–125. https://doi.org/10.1017/S0021853723000038
Freire, F. (2017). The Hemeila Riddle: Genealogical Reconfigurations of Pre-colonial Encounters in Southwestern Mauritania. History and Anthropology, 28(2), 149–165. https://doi.org/10.1080/02757206.2016.1214824
Gaiha, S. M., Salisbury, T. T., Usmani, S., Koschorke, M., Raman, U., & Petticrew, M. (2021). Effectiveness of arts interventions to reduce mental-health-related stigma among youth: a systematic review and meta-analysis. BMC Psychiatry, 21(1), 364. https://doi.org/10.1186/s12888-021-03350-8
Ghadimi, A. (2023). Shirin Nezammafi and the unmaking of postcolonial Japan. International Journal of Asian Studies, 20(2), 875–893. https://doi.org/10.1017/S1479591423000189
Glass, D., Schulz Begle, A. K., & Miller, J. M. (2022). Factors That Optimize Engagement for Diverse Learners at Arts Performances for Young Audiences. SAGE Open, 12(3), 215824402211161. https://doi.org/10.1177/21582440221116102
Goga, A. (2013). The Dimensions of a Conflict: the Case of Macedonia. Mediterranean Journal of Social Sciences, 4(10), 16–21. https://doi.org/10.5901/mjss.2013.v4n10p16
Gí¶ktaÅŸ, V., & Chowdury, S. R. H. (2023). Districts of Bangladesh Named After Sufis Manifesting the Great Impact of Sufism on Bengal Civilization: A Qualitative Study. Journal of Islamic Thought and Civilization, 13(1), 320–327. https://doi.org/10.32350/jitc.131.22
Gong, H. (2022). Application of Multimedia Human-Computer Interaction Technology in Preschool Children Drama Education. Advances in Multimedia, 2022. https://doi.org/10.1155/2022/6388057
Grever, M. (2023). Historical consciousness and controversial statues in a postcolonial world: the case of Missionary Peerke Donders (1809–1887). History of Education, 00(00), 1–15. https://doi.org/10.1080/0046760X.2023.2226666
Grynyshyna, M., Gusakova, N., Boklan, M., Strelchuk, V., & Ivaschenko, I. (2022). Cyber-Theater as Another Dimension of Communication in Contemporary Performing Arts. Studies in Media and Communication, 10(2), 346. https://doi.org/10.11114/smc.v10i2.5638
Haberly, D., & Wójcik, D. (2015). Regional Blocks and Imperial Legacies: Mapping the Global Offshore FDI Network. Economic Geography, 91(3), 251–280. https://doi.org/10.1111/ecge.12078
Halperin, C. J. (2020). Ivan the terrible and Russian feudalism in the works of Hungarian and russian historians of the soviet era. Quaestio Rossica, 8(5), 1795–1801. https://doi.org/10.15826/QR.2020.5.559
Haugen, M. W. (2020). Mendelssohns' cosmopolitan map and Solstad's rural Telemark. Orbis Litterarum, 75(4), 197–212. https://doi.org/10.1111/oli.12262
Hill, A. (2021). Who killed Utopia ? Cult conspiracy drama and a television imaginary. International Journal of Cultural Studies, 24(1), 56–71. https://doi.org/10.1177/1367877920960153
In, C., & Poem, A. J. (1987). The Serat Jatiswara: Structure and Change in A Javanese Poem 1600-1930 (Vol. 1930, Nomor November).
Jansen, T., & Väljamäe, A. (2021). Exploring Physiology-Based Interactions in Performing Art Using Artistic Interventions / Kunstiliste sekkumiste kasutamine fí¼sioloogiapíµhiste interaktsioonide uurimiseks etenduskunstis. Methis. Studia humaniora Estonica, 22(27/28), 178–197. https://doi.org/10.7592/methis.v22i27/28.18448
Jauhari, E., & Purnanto, D. (2022). Politeness system of the ethnic Chinese community in the Javanese cultural area of Indonesia. Kasetsart Journal of Social Sciences, 43(1), 60–66. https://doi.org/10.34044/j.kjss.2022.43.1.08
Jiang, B., & Li, Y. (2022). Construction of Educational Model for Computer Majors in Colleges and Universities. Wireless Communications and Mobile Computing, 2022, 1–7. https://doi.org/10.1155/2022/6737202
JonÄ«te, D. (2022). CHOREOGRAPHER IN CONTEMPORARY THEATRE: THE CASE OF LATVIA. Culture Crossroads, 21, 66–78. https://doi.org/10.55877/cc.vol21.272
Juwariyah, A., Trisakti, T., & Abida, F. I. N. (2023). Conserving the traditional Indonesian performance art "langen tayub" through "waranggana" creativities. Cogent Arts and Humanities, 10(1). https://doi.org/10.1080/23311983.2023.2247672
Kaptan, Y., & Algan, E. (2023). Guest Editors' Introduction: Global Audiences and Fans of Turkish TV Dramas. International Communication Gazette, 85(3–4), 193–197. https://doi.org/10.1177/17480485221151108
Kim, H., & Lee, H. (2023). Performing arts metaverse: The effect of perceived distance and subjective experience. Computers in Human Behavior, 146(November 2022), 107827. https://doi.org/10.1016/j.chb.2023.107827
Kirchner, T. A., Golden, L. L., & Brockett, P. L. (2022). Improving arts management/marketing efficiency: optimizing utilization of scarce resources to produce artistic outputs. Arts and the Market, 12(3), 181–196. https://doi.org/10.1108/AAM-07-2021-0029
Kolkutina, V., Syniavska, L., Pohrebennyk, V., Kornisheva, T., & Iaremchuk, N. (2020). Literary Hermeneutics in The Context of Natiosophic Ideas. WISDOM, 16(3), 41–52. https://doi.org/10.24234/wisdom.v16i3.394
Kuehn, S. (2023). Contemporary Art and Sufi Aesthetics in European Contexts. Religions, 14(2). https://doi.org/10.3390/rel14020196
Kumar, M., & Narkowicz, K. (2023). The Un-Human Beings: The Denial of Muslim Migrants' Bodies in India and Poland. Interventions, 25(4), 413–430. https://doi.org/10.1080/1369801X.2022.2099942
Labaronne, L., & Trí¶ndle, M. (2021). Managing and Evaluating the Performing Arts: Value Creation through Resource Transformation. Journal of Arts Management Law and Society, 51(1), 3–18. https://doi.org/10.1080/10632921.2020.1815612
Lau, P. L. K., & Chow, O. P. Y. (2023). Theatre heritage in pre-WWII Hong Kong: a postcolonial reading. International Journal of Heritage Studies, 29(11), 1141–1157. https://doi.org/10.1080/13527258.2023.2243450
Lemmer, K. (2021). Sound Patterns as Connectors: An Experimental Production of Three Sisters. New Theatre Quarterly, 37(4), 338–351. https://doi.org/10.1017/S0266464X21000270
Li, L., & Li, S. (2022). Do Tourists Really Care about Authenticity? A Study on Tourists' Perceptions of Nature and Culture Authenticity. Sustainability, 14(5), 2510. https://doi.org/10.3390/su14052510
Maussen, M. (2023). A post-colonial reading of Alexis de Tocqueville's writings on slavery and its aftermaths. Ethnicities, 0(0), 1–21. https://doi.org/10.1177/14687968231192036
Mayblin, L., Piekut, A., & Valentine, G. (2016). "˜Other' Posts in "˜Other' Places: Poland through a Postcolonial Lens? Sociology, 50(1), 60–76. https://doi.org/10.1177/0038038514556796
Mukaffa, Z. (2018). The Era of Uncertainty and Ethical Arrangement in Javanese Classical Texts: Disseminating Ranggawarsita's Works as Source of Islamic Ethics in Islamic Higher Education. Al-Jami'ah: Journal of Islamic Studies, 56(2), 461–493. https://doi.org/10.14421/ajis.2018.562.461-493
Nielsen, D., & Nititham, D. S. (2022). Celebrity memes, audioshop, and participatory fan culture: a case study on Keanu Reeves memes. Celebrity Studies, 13(2), 159–170. https://doi.org/10.1080/19392397.2022.2063397
Ojelabi, L. A. (2010). Values and the resolution of cross-cultural conflicts. Global Change, Peace & Security, 22(1), 53–73. https://doi.org/10.1080/14781150903487972
Orel, B. (2023). Performing Literature and Staged Readings. Amfiteater, 11(1), 160–172. https://doi.org/10.51937/AMFITEATER-2023-1/160-172
Pandey, P., Tripathi, R., & Miyapuram, K. P. (2022). Classifying oscillatory brain activity associated with Indian Rasas using network metrics. Brain Informatics, 9(1). https://doi.org/10.1186/s40708-022-00163-7
Pardoe, L., & Arps, A. (2023). Translation, Memory, and Ongoing Coloniality: Reading Gentayangan for a More Worldly Dutch Studies. Dutch Crossing, 47(1), 49–62. https://doi.org/10.1080/03096564.2022.2144598
Peradantha, I. B. G. S., Widyastutieningrum, S. R., Soewarlan, S., & Triguna, I. B. G. Y. (2023). Interactions of Artistic Expressions with Spatial Contexts in the Isolo Performance of Sentani Tribe, Putali Village, Indonesia. ISVS e-journal, 10(8), 314–330. https://doi.org/10.61275/ISVSej-2023-10-08-21
Prosperetti, E. (2023). Writing International Histories from Ordinary Places: Postcolonial Classrooms, Teachers, and Foreign Policy in Ghana, 1957–83. Journal of Contemporary History, 58(3), 509–530. https://doi.org/10.1177/00220094231171103
Ras, J.J. (1987). Chronicle THE GENESIS OF. Brill, 343–356.
Redondo-Olmedilla, J. C. (2023a). A comparative and epistemic approach to Anglophone and Latin American postcolonial theory and criticism. Cogent Arts and Humanities, 10(1). https://doi.org/10.1080/23311983.2023.2167533
Redondo-Olmedilla, J. C. (2023b). Towards a hermeneutics of the postmodern transnational space: the case of contemporary Australian literature. Neohelicon, 0123456789. https://doi.org/10.1007/s11059-023-00685-x
Ribeiro, G. L. (2023). From decolonizing knowledge to postimperialism: A Latin American perspective. American Ethnologist, 50(3), 375–386. https://doi.org/10.1111/amet.13186
Ruastiti, N. M., Indrawan, A. A., & Sariada, I. K. (2022). Renteng Dance in Saren Village, Nusa Penida as a Source of Inspiration for the Creation of Ceremonial Dances in Bali. Harmonia: Journal of Arts Research and Education, 21(2), 232–245. https://doi.org/10.15294/harmonia.v21i2.32199
Sahid, N., Junaidi, J., & Iswantara, N. (2023). The Meaning of Political Conflict in the Ketoprak "Satru Ing Ngepal." Harmonia: Journal of Arts Research and Education, 23(1), 141–153. https://doi.org/10.15294/harmonia.v23i1.42447
Seixas, B. V., Smith, N., & Mitton, C. (2017). The Qualitative Descriptive Approach in International Comparative Studies: Using Online Qualitative Surveys. International Journal of Health Policy and Management, 7(9), 778–781. https://doi.org/10.15171/ijhpm.2017.142
Shang, S., Guo, T., Roche, M., Gopalan, N., & Wang, M. (2023). Immigrant Workers' Language Proficiency and Cultural Identity Congruence and Work–Family Conflict: The Mediating Role of Interpersonal Conflict at Work. Journal of Cross-Cultural Psychology, 54(6–7), 684–704. https://doi.org/10.1177/00220221231194597
Sharma, S., & Reimer-Kirkham, S. (2023). Exploring racism and racialization in the work of healthcare chaplains: a case for a critical multifaith approach. Journal of Health Care Chaplaincy, 29(3), 307–319. https://doi.org/10.1080/08854726.2023.2209462
Soroka, I., Gusakova, N., Plutalov, S., Tsyselska, O., & Kuprii, T. (2022). Speech Techniques as an Important Tool of Verbal Action in the Art of the Actor. Studies in Media and Communication, 10(3), 185. https://doi.org/10.11114/smc.v10i3.5850
Stella, A. (2020). Bringing the feudal law back home: social practice and the law of fiefs in Italy and Provence (1100–1250). Journal of Medieval History, 46(4), 396–418. https://doi.org/10.1080/03044181.2020.1775685
Tau, R., Kloetzer, L., & Henein, S. (2022). The Dimension of the Body in Higher Education: Matrix of Meanings in Students' Diaries. Human Arenas, 5(3), 441–468. https://doi.org/10.1007/s42087-021-00206-1
Tian, R. G., Yu, L., & Yiling, T. (2023). From strategic planning to strategy implementation: the cultural environment construction and development for China's cross-border e-commerce along the Belt and Road. Electronic Commerce Research, 0123456789. https://doi.org/10.1007/s10660-023-09730-4
Tohver, T. (2022). Zero zone in Stanislavski's practice. Stanislavski Studies, 10(1), 83–99. https://doi.org/10.1080/20567790.2022.2048239
ToporiÅ¡iÄ, T. (2022). How Can We Interpret the 21st-Century (No Longer) Dramatic Texts and Theatre in Art and Theory? Amfiteater, 10(2), 18–49. https://doi.org/10.51937/Amfiteater-2022-2/18-49
von Germeten, G. (2023). Exploring Original Cast Recordings as "Vocal Scripts": Navigating "Vocal Omnivorousness" and Learning "The Sungs" of Musical Theatre. Voice and Speech Review, 17(1), 66–82. https://doi.org/10.1080/23268263.2021.2010898
Wang, C.-M., & Tseng, S.-M. (2023). Design and Assessment of an Interactive Role-Play System for Learning and Sustaining Traditional Glove Puppetry by Digital Technology. Applied Sciences, 13(8), 5206. https://doi.org/10.3390/app13085206
Wang, J., Chen, M., Zhang, H., & Ye, F. (2023). Intangible Cultural Heritage in the Yangtze River Basin: Its Spatial Distribution Characteristics and Influencing Factors. Sustainability (Switzerland), 15(10), 1–14. https://doi.org/10.3390/su15107960
Wasino, W., Hartatik, E. S., & Shintasiiwi, F. A. (2021). Wong Cilik in Javanese History and Culture, Indonesia. KEMANUSIAAN The Asian Journal of Humanities, 28(2), 31–51. https://doi.org/10.21315/kajh2021.28.2.2
Widodo, Pujiastuti, T., Sihombing, P. F., & Sudibyo, S. (2022). Serat Baron Sakendher: Sejarah Legitimasi Kolonial di Tanah Jawa pada Abad XIX. Sutasoma : Jurnal Sastra Jawa, 10(1), 71–82. https://doi.org/10.15294/sutasoma.v10i1.57967
Widodo, W., Pudjiastuti, T., Limbong, P. F., & Sudibyo, S. (2022). Cultural Politics of Javanese Authority in the 19th Century. Politik Indonesia: Indonesian Political Science Review, 7(3), 362–377. https://doi.org/10.15294/ipsr.v7i3.39073
Wójcik, A. (2022). KÄrtikÄ TirunÄḻ BÄlarÄma Varma's Self-portrait in BÄlarÄmabharata. Cracow Indological Studies, 24(1), 131–158. https://doi.org/10.12797/CIS.24.2022.01.07
Yang, Y. (2022). The art worlds of gender performance: cosplay, embodiment, and the collective accomplishment of gender. Journal of Chinese Sociology, 9(1). https://doi.org/10.1186/s40711-022-00168-z
Zavidovskaia, E. A., Vinogradova, T. I., & Maiatskii, D. I. (2021). Interpretation of Novels and Plays about Song Dynasty Judge Bao in the Chinese Illustrated Woodblock Editions and Popular Prints nianhua. Vestnik Sankt-Peterburgskogo Universiteta Vostokovedenie i Afrikanistika, 13(3), 383–399. https://doi.org/10.21638/spbu13.2021.306
Zhang, N. (2022). An Exploration of the Environment, Composition, and Transmission of the Development of Local Theater and Music in the Natural Environment and Folklore Activities of Tea Picking. Journal of Environmental and Public Health, 2022, 1–10. https://doi.org/10.1155/2022/9491745
Zhang, X., Xiang, H., & Liu, R. (2022). Spatial pattern and influencing factors of intangible cultural heritage of music in Xiangxi, central China. Heritage Science, 10(1), 1–12. https://doi.org/10.1186/s40494-022-00672-y
Zustiyantoro, D., Nuryatin, A., Supriyanto, T., & Doyin, M. (2022). Luwes and Philosophical : Dewaruci Puppet Performance in Suryomentaram ' s Kasampurnan Concept. Harmonia: Journal of Arts Research and Education, 22(2), 418–433.
The authors who publish this journal agree to the following requirements. The author retains the copyright regarding the work being simultaneously licensed below Creative Commons Attribution ShareAlike License.
Jurnal Diksi by Faculty of Languages, Arts, and Culture, Universitas Negeri Yogyakarta is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Based on a work at http://journal.uny.ac.id/index.php/diksi
2.png){kind=logo}
